July 28, 2022 Alan Parsons – From the New World (Album Review)
Born on December 20, 1948, in Willesden, London, England, Alan Parsons is one of the institutions in the annals of Progressive/Pop Rock. He is up there in the genre’s pantheon of prolific leaders whom include Dennis DeYoung (of Styx) and Joe Lynn Turner (Fandango, Rainbow).
An audio engineer by trade, he began his songwriting-singing excursion in 1975 as part of the successful The Alan Parsons Project, Parsons eventually embarked on a solo career in 1993, when he unleashed his debut album, Try Anything Once. Four records ensued, until 2019’s The Secret; and now a new one has just come out.
Released on Friday, July 15, 2022, via Frontiers Records, Parsons’ sixth offering, titled From the New World, maintains his trademark style that combines the catchiness of Pop Rock, intricacy of Progressive Rock, with a touch of the ambient soundscape of film scores.
From the New World opens with the majestic sound of the Power ballad “Fare Thee Well,” which is contemporary yet familiar, courtesy of the guitar line’s referencing one of The Alan Parsons Project’s classic track, “I Robot.” Another powerful, anthemic guitar-laden song comes next in the form of “The Secret.” Definitely a highlight, “Uroboros” was made special with the Satriani-reminiscent guitar melodies and by featuring Vocalist/Guitarist Tommy Shaw of Styx.
With “Don’t Fade Now,” Parsons then calls upon his inner rustic sensibilities with this song’s folky tendencies. Another old-soul piece, the piano-led “Give ‘Em My Love,” on the other hand, is bathed in Glam Metal balladry; this time featuring one time Quiet Riot Vocalist, James Durbin; and veteran Blues-Rock guitar virtuoso Joe Bonamassa. “Obstacles” and “I Won’t Be Led Astray,” which is sung by David Pack (formerly of Ambrosia) then follow in the same slow and piano-oriented vein.
Parsons then treats the listener to “You Are the Light” – something light, bluesy, and countryish. After the subtly dark groove of “Halos” and sparse, filmic, and Gospel-tinged “Goin’ Home,” Parsons finally wraps up his latest oeuvre with a rather faithful rendition of The Ronettes’ “Be My Baby,” with Tabitha Fair on lead vocals.
What is good about seasoned musicians such as Parsons is that when they release an album, they have at their disposal all the necessary resources and ingredients that make it really good. The album has insights and experience, prime recording studios, equally seasoned sessionists, guest musicians, and a great production team. Most importantly, it is the songwriting talent and musical vision of the main artists themselves that has been honed over decades that shines bright. From the New World is the sum of all these things that make a record great and memorable. That is why Cryptic Rock gives it 4 out of 5 stars.
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