Anvil – Pounding the Pavement (Album Review)

Clang! Clang! Clang! go Anvil, again pounding their way into the realms of the Metal world. The hardworking, prolific, and pioneering metal-smiths from Toronto, Ontario, Canada, did not really waste their time, nor let the momentum falter, after having been given a new lease on life when their heartwarming and heartrending 2008 documentary, Anvil! The Story of Anvil, put their name back on the Metal music map and gained for them new legions of fans and followers.

Still fresh from their last year’s offering, Anvil—Steve Kudlow (vocals/guitar), Robb Reiner (drums), and Chris Robertson (bass)—are unleashing yet another solid set of power-charged songs. Slated for release on January 19, 2018, on SPV/Steamhammer, the power trio’s seventeenth studio album, Pounding the Pavement, claws its way out of the loudspeakers with the thunderous Heavy Metal grind of its opener, “Bitch in the Box,” whose grits and grates make it an instant classic in the league of Deep Purple’s “Highway Star” and Diamond Head’s “Am I Evil?” The vibes then turn straightaway maniacally electric with the breakneck speed of “Ego.” The ensuing “Do What I Want” harks back to the pompous, over-the-top extravagance and indulgences of ’80s Glam Metal, Van Halen style–David Lee Roth era.

Anvil turns a bit thrashy and sinister with the confrontational “Smash Your Face,” yet still maintaining their anthemic choruses and virtuosic, flashy guitar interludes. The instrumental title track is a proud display of pyrotechnicality—with traces of influence from Steve Vai’s dramatics, Paul Gilbert’s mercurial proficiency, and Slash’s snakelike fret-scaling tendencies; all these blended in equitable measures to achieve a sweet-sour gustatory consistency.

“Rock That Shit” is a trip farther back into Anvil’s roots—less metallic and more hard-rockin’; think of Led Zeppelin (“Rock and Roll”) and Cheap Trick (“Love Comes A-Tumblin’ Down”) in their respective Rock-n-Roll glory. Following next is a highlight of the album, in a thematic sense, “Nanook of the North” – Anvil’s homage to a piece of Canadian myth and history—which “tells of the struggles of the Inuk man named Nanook and his family in the Canadian Arctic.”

“Black Smoke” returns the listener to the frenetic and relentless headbanging and blast-beat moments of the album, reverberating flashes of aces and spades and reeking with live wires of motorbreaths and whiplashes. Maintaining the same Heavy Metal style, albeit shifting the gear a couple of notches slower, “World of Tomorrow” is where Kudlow’s low-register, velvety voice minus the growls soars and shines through above all else, making it a standout among the rest.

Finally, Anvil ends their latest onslaught in mayhem and cacophony with a speed freak’s nightmare of a track, “Warming Up.” What? After all the sweat-soaking shit and mind-blowing Metal bits, they are just warming up? Well, that is Anvil for you!

From 1981 to 2018, that is thirty-seven years of passion and hard work, annealed in experience; from Hard ’n’ Heavy to Pounding the Pavement, that is a seventeen-album discography. Through the eardrum to the hammer, to the anvil, to the stirrup, to your senses…Yes, that is the persistent and undaunted Anvil, still thrashing their time-wrought metal-craft into your audio system after all these years. CrypticRock gives Pounding the Pavement 4 out of 5 stars.

Purchase Pounding the Pavement:

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ALfie vera mellaAuthor posts

Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He started writing album reviews for Cryptic Rock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf?; in 2021, his first book of poetry, Pag-íhip sa Dáhon ng Kahápon [Blowing Leaves of Yesterday]. In his spare time, he enjoys reading books and listening to music. aLfie is a dedicated father to his now 13-year-old son, Evawwen; and a loving husband to Kathryn Mella, who herself moonlights also as a writer aside from holding a degree in Bachelor of Arts, Major in Sociology.

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