Emigrate – A Million Degrees (Album Review)

Emigrate – A Million Degrees (Album Review)

Rammstein Guitarist Richard Z. Kruspe is the genius behind Emigrate, and he returns this Friday, November 30, 2018 via Spinefarm Records, with a truly eclectic collection entitled A Million Degrees. Buckle yourselves in!

As a member of Rammstein, the music world’s most explosive live act, Richard Z. Kruspe has been part of a ground-breaking global success story twenty-four-years in-the-making that continues to build and to ignite. Along the way, he’s turned his attention to a number of parallel projects, such as constructing a new studio (and a new home) in his native Berlin, but it’s his decision to launch Emigrate that has given him the greatest chance to satisfy creative instincts outside of the parent company. Beginning with the project’s 2007 debut, eponymous disc, Emigrate built a foundation that, after quite a stretch, was re-strengthened by its follow-up, 2014’s Silent So Long.

For their third disc, Emigrate – Vocalist and Multi-Instrumentalist Richard Z. Kruspe, Guitarist Olsen Involtini, Bassist Arnaud Giroux, Live Drummer Joe Letz (of Combichrist), and Studio Drummer Mikko Sirén (of Apocalyptica) – continue to cement their talents and range far and wide, musically speaking. With a pure passion, a lust for making music, Kruspe leads his troops into a truly eclectic 11-song collection. With guest appearances from the likes of Rammstein’s Till Lindemann, Ghost’s Cardinal Copia, Billy Talent’s Benjamin Kowalewicz, and frequent collaborator Margaux Bossieux, A Million Degrees sees Emigrate exploring without musical boundaries – but always with an incendiary passion.

A Million Degrees begins with “War,” a bold sound full of synths and guitars that nearly borders on Symphonic Metal. What follows is a completely different sound, where something punkier is injected into “1234.” Here, the straight-up rocker contains a steady backbeat and features Billy Talent’s Benjamin Kowalewicz on vocals. Next, electronic twinges permeate the pores of album namesake “A Million Degrees,” before the track twists on its side and takes a funkier yet still rocking approach. The end result is something that feels like the deliciously catchy love child of Synthpop and Arena Rock.

In case you haven’t figured it out yet, no two tracks on A Million Degrees sound alike or fit the same mold. So, for “Lead You On,” Emigrate lean more toward infectiously devious electronics. The candy-sweet vocals of Margaux Bossieux of Slippin Away, a frequent Emigrate contributor, appear herein, providing a perfect contrast to Kruspe’s grit in this wonderful duet. Then, they go almost, dare it be said, Pop Rock for the soaring “You Are So Beautiful,” a catchy love song that would not be entirely out of place in any Top 10 Pop-ster’s repertoire. Don’t cringe: it’s a great song!

Still defying all expectations and never growing complacent, Emigrate turn toward a Green Day meets Tiger Army sound for “Hide And Seek,” with some fun Punkabilly flavors inserted in the mix. Almost in response to this rambunctiousness, they initially dial it down to delicate music-box sounds on “We Are Together,” though the track builds up to a wall of sound that is suitably darkly romantic – a perfect threnody for your bleeding black heart.

They break out the full-blown Industrial Metal for the infectious stomp of “Let’s Go,” which features Kruspe’s Rammstein bandmate Till Lindemann. Here, the pair’s vocals blend flawlessly, anchoring a rocking track that highlights the very best of what Emigrate is about: catchy, hard-rocking material that defies musical boundaries (and languages). This flows perfectly into “I’m Not Afraid,” a track that is cut from a somewhat similar cloth. Now, it certainly can’t hurt to have one of the biggest (modern) bands in the world guesting on your album, and here Emigrate bring in Ghost’s Cardinal Copia for another addictive, hip-swaying rocker complete with a killer guitar solo. It’s to Emigrate’s credit that they utilize Copia’s vocals to highlight their material, never cranking him up in the mix and blatantly utilizing his name to increase streams. Instead, “I’m Not Afraid” is a track that would be strong with or without Copia.

A Million Degrees begins its journey to the end with more blistering rock on “Spitfire,” which utilizes Arena Rock guitars and gang vocals to craft a track that is guaranteed to have live audiences singing along, heads banging. Ultimately, they end with the somber, ballad-esque “Eyes Fade Away,” with massive, melodic choruses that, much like its predecessor, invite audience sing-alongs.

On A Million Degrees, Emigrate practice their form of schizophrenic eclecticism and, somehow, it works beautifully. From Industrial Rock to poppier sounds, Synthpop to Punk, Krespe holds nothing back as he goes full-tilt with his sonic exploration. That means that it’s absolutely impossible to categorize Emigrate, which is clearly the goal here: complete abandonment of all stylistic expectations. You might assume that the album’s title, “A Million Degrees,” refers to heat – though, perhaps instead, it is a nod to the one-million sounds explored herein, proudly, boldly, and with a panache that shows Kruspe’s fiery passion for all things Rock. For these reasons, Cryptic Rock give Emigrate’s One Million Degrees 4.5 of 5 stars.

Purchase A Million Degrees:

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Jeannie Blue
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Jeannie likes to joke that she is little, yellow, blue, and different. She seemingly popped out of her mother's womb with a pen in her hand and has been writing ever since. Many moons ago - in what feels like a separate lifetime - Jean was co-editor of an online music magazine that afforded her great opportunities to interview and photograph some of her favorite bands/musicians: Tommy Lee, Good Charlotte, Warrant, Bring Me The Horizon, My Chemical Romance, Sevendust, New Found Glory, Deftones, Poison, VH-1 "Band On the Run" Flickerstick, an endless list of unsigned locals, and so many others. These days, she can usually be found hiking aimlessly through the woods in her favorite Technicolor sneakers with a Nikon in hand and her rescue dog, Molly, who is a bit hare-brained.

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