Flying Colors – Third Degree (Album Review)

Flying Colors – Third Degree (Album Review)

The concept behind forming Flying Colors began as early as 2008. It ultimately consisted of Mike Portnoy (Dream Theater, Transatlantic) on drum and lead/backing vocals, Dave LaRue (Dixie Dregs, Steve Morse Band) on bass, Casey McPherson (Alpha Rev) on lead vocals, rhythm guitar, and keyboards, Neal Morse (Spock’s Beard, Transatlantic) on keyboards, and lead/backing vocals, along with Steve Morse (Dixie Dregs, Steve Morse Band, Deep Purple) on lead guitar. A mass of big names in the Progressive Rock world, in 2012 the American supergroup released its first, self-titled album, which was then followed up by 2014’s Second Nature, and now the powerful quintet is set to unleash its new offering.

Scheduled to come out on Friday, October 4, 2019, via Mascot Label Group, Flying Colors’ third full-length, Third Degree, consists of 9 shiny new tracks. Opening with the four-on-the-floor Hard Rock stomper “The Loss Inside,” it channels the Alternative Rock/Grunge aura of Alice in Chains (“Man in a Box”), Soundgarden (“Outshined”), and Pearl Jam (“Even Flow”). This is then followed by the doomy, ominous, and angular “More” in the same sonic predisposition, in which McPherson’s raw and steady voice comes off even stronger. The ensuing “Cadence” is where the group’s Progressive Rock sensibilities emerge proudly—grand, orchestrated, syncopated, yet still rocking.

A change of mood and sound, “Guardian” is smooth, jazzy, and pristine; LaRue’s basslines take center stage initially as it cascade amidst the laidback support of the rest of the instrumentation, only to give way to the anthemic guitar ad-lib and surprising Psychedelic Folk–inspired mid-song interlude. After this treat of complexity, Flying Colors then explores its Glam Metal influences with the slowly ticking power ballad “Last Train Home.” Yet another change of style, “Geronimo” relaxes the atmosphere for a bit with its funky, bluesy, and rustic Classic Rock mooning.

Another Glam Metal–stylized track, “You Are Not Alone” is simpler and more minimalist, dominated by practically only the piano and the acoustic guitar—the beauty in simplicity inbetween concoctions of complexity. And then there is the ’70s Pop Rock–reminiscent “Love Letter,” whose highlight is its Doo-Wop-inspired vocal harmonies, along with its Rock-n-Roll-styled song structure; it will remind the initiated of similar post–Van Halen solo adventures of David Lee Roth (“Just like Paradise”).

Finally, Flying Colors finishes off Third Degree aptly with the Classical/Progressive Rock “Crawl,” in which Portnoy’s pounding prowess shines through, along with Steve Morse’s extraordinary guitar playing, Neal Morse’s complementary keyboard melodies, and LaRue’s bubbling basslines; for his part, McPherson proves that his voice is indeed wide-ranging, able to growl like the Grunge icons but could also easily sing softly in velvet textures and in high keys like Steve Perry (“Foolish Heart”) and former Skid Row Vocalist Sebastian Bach (“In a Darkened Room”).

Considering the individually impressive lineage of each of its members, Flying Colors is able to conglomerate all the influences of all of the five artists and translate these into well-woven and majestically molded pieces of music. Third Degree is simply a natural progression from its predecessors. It bears the same trademark but is still distinctive on its own. For this, Cryptic Rock gives Third Degree 4 out of 5 stars.

Purchase Flying Colors:

[amazon_link asins=’B07WLBQWQB’ template=’ProductCarousel’ store=’crypticrock-20′ marketplace=’US’ link_id=’f5c74630-bbcd-40df-95b2-95dde86d5f49′]

Like the in-depth, diverse coverage of Cryptic Rock? Help us in support to keep the magazine going strong for years to come with a small donation.
aLfie vera mella
[email protected]

Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He started writing album reviews for Cryptic Rock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf?; in 2021, his first book of poetry, Pag-íhip sa Dáhon ng Kahápon [Blowing Leaves of Yesterday]. In his spare time, he enjoys reading books and listening to music. aLfie is a dedicated father to his now 13-year-old son, Evawwen; and a loving husband to Kathryn Mella, who herself moonlights also as a writer aside from holding a degree in Bachelor of Arts, Major in Sociology.

No Comments

Post A Comment

Cryptic Rock
Show Buttons
Hide Buttons