Johnny Hates Jazz – Wide Awake (Album Review)

Johnny Hates Jazz – Wide Awake (Album Review)

An ironic and witty name, Johnny Hates Jazz reigned supreme in the New Wave / Sophistipop realm in the late ’80s with their debut album. Despite the success of the record, which contained some of its surefire hits—such as “Shattered Dreams,” “Different Seasons,” and “Me and My Foolish Heart”—the English band went low-profile when Frontman Clark Datchler quit, to be replaced by Phil Thornalley for the follow-up, 1991’s Tall Stories, after which they broke up for good… at least for the next couple of decades. Now they return yet again with their latest album Wide Awake

Originally come together in 1986, in London, England, Johnny Hates Jazz has released four albums—from 1988’s Turn Back the Clock to the comeback offering in 2013, Magnetized, to the newly unleashed Wide Awake. Consisting of nine songs in total, the newest music is best characterized by its smooth, Soul & Jazz-influenced melodies, in league with that of the likes of Breathe (“Will the Circle Be Unbroken?”), The Blue Nile (“The Downtown Lights”), Spandau Ballet (“I’ll Fly for You”), and Lighthouse Family (“Ocean Drive”).

Released on Friday, August 21, 2020, via JHJ Music, Wide Awake opens with its lead single—the slick and nostalgic “Spirit of Love,” immediately taking the listener to when the romance of Johnny Hates Jazz started—32 years ago. The next track, “New Day Ahead,” is a sudden, rockin’ leap to the current—upbeat, slightly fuzzy, engaging. The ensuing “Love the Light” is another feel-good, soft heart beater—adorned with beautiful piano and harmonica melodies.

Johnny Hates Jazz then conjures the mood of ’80s New Wave Pop glory with “Greater Good” and the title-track—sunny, synth-y, funky, soulful, and sophisticated. And then there is the updated style of the Synthpop stomper “Free,” which will not be out of place on a playlist that includes The Postal Service’s “Such Great Heights,” Owl City’s “Fireflies,” and The Lotus Eaters’ “Stay Free.”

However, “No Mistakes” is what may be regarded as Wide Awake’s highlight—a bittersweet mix of Johnny Hates Jazz’s old flame and latest spark; youthful dreams for the new has not been shattered after all. The second-to-the-last song, “Don’t Stop the Music” is blue-eyed and funkier, exuding faint echoes of Level 42 (“Leaving Me Now”) and Culture Club (“Love Is Love”).

Finally, Johnny Hates Jazz—currently consisting of the duo of Datchler (vocals, keyboards) and Mike Nocito (guitarist, bassist)—wraps up its latest gem with another standout track, the slightly progressive “My Old Piano.”

Johnny Hates Jazz is definitely back—as jazzy, poppy, catchy, and classy as ever. Wide Awake is an instant classic, destined to be hailed in the same vein of appreciation as its firstborn sibling in the years to come. That is why Cryptic Rock gives the new album 4 out of 5 stars.

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aLfie vera mella
aLfie vera mella
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Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. As a means to further his passion for music, he formed the band haLf man haLf eLf. He now performs with another band, The Psychedelics. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He began writing album reviews for CrypticRock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf? His next planned literary endeavor is to publish the remaining parts of the anthology and his works on Poetry, Fantasy Fiction, and Mythology. In his spare time, he enjoys reading books and listening to music. He participates at various community events; and he explores the diverse cultural beauty of Canada whenever his schedule permits it. aLfie is a doting and dedicated father to his now ten-year-old son, Evawwen.

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