Kaiser Chiefs – Stay Together (Album Review)

Kaiser Chiefs – Stay Together (Album Review)


Formed in 2003, in West Yorkshire, England, Kaiser Chiefs currently consists of  Ricky Wilson (lead vocals), Andrew White (guitar), Simon Rix (bass), Nick Baines (keyboards, synthesizers), and Vijay Mistry (drums, percussion). To date, the band has released six studio albums, from 2005’s generally frenetic and upbeat Employment to 2016’s change of style, the Synthpop-oriented Stay Together

Released on October 7, 2016, via their own label, Stay Together is Kaiser Chiefs’ sixth overall offering. Beginning with the relaxed drawl of the glittery Disco title track, it recalls similar inflections by Damon Albarn when the Britpop luminary is being a Gorillaz rather than a Blur. Uplifting the mood immediately is the dance floor-ready and anthem-worthy “Hole in My Soul,” whose infectious rhythm, glittery melodies, and catchy chorus will fit on a playlist that includes The Farm’s “Altogether Now,” Elkland’s “Put Your Hand Over Mine,” and Men Without Hats’ “Head Above Water.” In the ensuing “Parachute,” Kaiser Chiefs take their listeners to an even more Pop direction; Tegan and Sara’s similar, recent Pop excursion may come to mind, for instance, “Closer;” or even a whiff of Lady Gaga’s “Edge of Glory.” Then there is the Reggae sensibility of “Good Clean Fun” and the Stan Ridgway big-heat throwback “Why Do You Do It To Me?”

“Indoor Firework” and “Press Rewind” are similarly styled Disco-influenced tracks, made even more memorable with their respective Chic-inspired, funky guitar hooks. “Happen in a Heartbeat” follows the same Synthpop path, this time even echoing bits and traces of the likes of Bronski Beat (“Smalltown Boy”), Electronic-oriented New Order (“Krafty”), and Pet Shop Boys (“West End Girls”). The falsetto-flavored Dance Pop “High Society” comes across like something from The Other Two, particularly “Movin’ On.” The penultimate “Sunday Morning” is a standout track, which features a snappy, double-time rhythm, Moog-sounding melody, slightly bluesy guitar slide, and fifty colors of the Rockabilly moon. Finally, Stay Together finishes with the very New Wave-sounding, midtempo “Still Waiting,” whose low-register and high-pitched vocal interplay perfectly wraps up Kaiser Chiefs’ new brand of beautiful beast.

Kaiser Chiefs’ return-to-original form occurred already in their 2014’s Education, Education, Education & War. The band’s latest work, on the other hand, is a delightful adventure to an equally engaging sonic realm, yet remains within familiar grounds. Stay Together is a testament of how Kaiser Chiefs could remain rooted in their chosen style but, at the same time, display the ability to broaden their canvas of music and paint it with different yet similar tones and hues of the same colors. CrypticRock gives this album 4 out of 5 stars.

kaiser album

Like the in-depth, diverse coverage of Cryptic Rock? Help us in support to keep the magazine going strong for years to come with a small donation.
aLfie vera mella
[email protected]

Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He started writing album reviews for Cryptic Rock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf?; in 2021, his first book of poetry, Pag-íhip sa Dáhon ng Kahápon [Blowing Leaves of Yesterday]. In his spare time, he enjoys reading books and listening to music. aLfie is a dedicated father to his now 13-year-old son, Evawwen; and a loving husband to Kathryn Mella, who herself moonlights also as a writer aside from holding a degree in Bachelor of Arts, Major in Sociology.

No Comments

Post A Comment

Show Buttons
Hide Buttons