Khumb Mela Band’s Questions Turns 30

Khumb Mela Band’s Questions Turns 30

Arguably one of the most underrated and poorly promoted Philippine bands that emerged in the much-loved ’80s New Wave explosion was Khumb Mela Band. Although the group began as a promotional gimmick of Widdie Saulo, the owner of the local boutique shop Khumb Mela, in Metro Manila—which sold sports gear, bags, and music records—Khumb Mela Band eventually took off and carved a name of its own in the Philippine music scene in the late 1980s.

Formed in 1986, in Metro Manila, Philippines, Khumb Mela Band was comprised by Andrew Jeffs (vocals), Randy Capawan (guitars), Isidore Fernandez (keyboards), Alan Dichoso (bass), and Gregorio Reyes (drums, backup vocals). The band’s major influences included the popular New Wave–associated bands/artists of the time such as The Alarm (“Absolute Reality”), Billy Idol (“Dancing with Myself”), The Bølshøi (“A Way”), and Philippines’ very own New Wave pioneers Identity Crisis (“My Sanctuary”), The Dawn (“Dreams”), and Ethnic Faces (“Golden Boy”). However, according to Drummer Reyes himself, “My own compositions [that I contributed to the band] originated farther back in the late ’70s when I was still a very young musician.

Unfortunately, despite the band’s promising start, Khumb Mela Band got to release only one album; and then, like many other hopeful young bands full of energy and ideas, they faded away in obscurity, until nobody seemed to remember them and their music anymore.

So, now that Questions – the said Khumb Mela Band’s only album – has turned 30, to remind the band’s followers about it and to reintroduce the music especially to the current generation’s enthusiasts of New Wave is simply a respectable thing to do. Considering that the archives of Philippine New Wave music is relatively small, the 30-year-old Questions then becomes a truly rare gem from the pearly land of the orient seas – worthy of yet another chance and of one’s reassessment.

Released in 1988, via 108 Music Records, Questions opened with the spirited rush of the angular, Progressive stomper “Moving Away.” This was followed by the carrier single – the graceful New Wave mid-tempo title track. The mood further slowed down with the sparse, soulful Sophistipop pulse of “Mystery Man.” Another Progressive New Wave combo came next in the form of the piano-led and bass-driven “Cosmic Journey,” which was a reincarnation of an older song that Reyes wrote in 1979, but which the band updated, drawing inspirations from the likes of Cutting Crew (“Any Colour”) and Missing Persons (“Tears”).

The overall Hinduism-inspired lyrical concept of the album was in full swing in the ensuing “Limited Pleasure,” whose monotonal vocal styling and anthemic guitar ad-lib complemented the song’s vision. Then there was the melodic Pop Rock track “In the Holy Names,” pulsating its way onto the dance-floor.

“Planet of Death” was a marked change of style and pace – metallic, frenetic, progressive – whose keyboard-and-guitar interplay and breakneck drumbeats might have recalled the initiated of Yngwie Malmsteen (“Rising Force”). Khumb Mela Band then took the listener to the Psychedelia-infused Sophistipop/Ethereal lullaby of “Song of the Swanlike,” exuding crisp plucks and echoes of Identity Crisis’ “Sumigaw, Umawit Ka [You Shout and Sing].” The penultimate track, the syncopated “Govinda” predated the 1996 song of the same title by the Britpop band Kula Shaker.

Finally, Khumb Mela Band concluded Questions with the poppy, mellifluous, and calming New Wave tune “After the Storm.”

In 1991, the members of Khumb Mela Band silently ended their musical journey together. Afterwards, Jeffs embarked on a solo career, releasing the album Nasaan Ka? [Where Are You?] on Dyna Records. Capawan did sessions for Binky Lampano, the vocalist of another legendary New Wave band, Dean’s December (“It Doesn’t Snow in Manila”). Fernandez became the keyboardist of the enduring New Wave Rock band The Dawn (“I Stand with You”) for the stretch of the 1990s. Dichoso sessioned for bands that included Mariya (“Guess Who?”) and Mulatto (“Full Circle”). Reyes quit the music scene altogether, deciding to concentrate on his other career, as a full-time member of the Philippine National Police.

In 2010, amid a brewing interest in Khumb Mela Band’s reunion, Vocalist Jeffs succumbed to the illness that he was suffering from for quite some time. The plans and talks of a possible follow-up to Questions, sadly, went with Jeffs to the grave. Love lost! Death had torn them apart.

In lieu of flowers and candles, quietly pay remembrance to Jeffs and tribute to the rest of Khumb Mela Band by playing Questions one more time; this time, in a proper perspective and attention to sonic details. While doing this, close your eyes and do the Lotus position as you conjure in your mind an image of the band as they take you once again with them in their cosmic journey… in rhythm, in melodies, and in spirit.

Like the in-depth, diverse coverage of Cryptic Rock? Help us in support to keep the magazine going strong for years to come with a small donation.
aLfie vera mella
aLfie vera mella
[email protected]

Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. As a means to further his passion for music, he formed the band haLf man haLf eLf. He now performs with another band, The Psychedelics. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He began writing album reviews for CrypticRock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf? His next planned literary endeavor is to publish the remaining parts of the anthology and his works on Poetry, Fantasy Fiction, and Mythology. In his spare time, he enjoys reading books and listening to music. He participates at various community events; and he explores the diverse cultural beauty of Canada whenever his schedule permits it. aLfie is a doting and dedicated father to his now ten-year-old son, Evawwen.

No Comments

Post A Comment

Show Buttons
Hide Buttons