Mike + the Mechanics – Out of the Blue (Album Review)

out of the blue slide - Mike + the Mechanics - Out of the Blue (Album Review)

Mike + the Mechanics – Out of the Blue (Album Review)

mike mechanics promo - Mike + the Mechanics - Out of the Blue (Album Review)The internet that bridged much of the world with one another has also connected artists and their corresponding enthusiasts in a more direct manner. This has reinvigorated the careers of so many artists and bands, rekindling their passion for performing and songwriting. In the recent years, the music industry has seen a surge of new albums of new materials by not only contemporary artists but also from veterans. One of these is Mike + the Mechanics – the successful post-Genesis musical vehicle of Mike Rutherford (bass, guitar, backing vocals), the 1985-forming English band’s co-founder.

Popular for the chart-topping radio staples “All I Need Is a Miracle,” “Taken In,” and “Over My Shoulder,” Mike + the Mechanics have nine studio albums under the name—from 1985’s self-titled debut to the newly released Out of the Blue.

Scheduled to be released on April 5, 2019, on BMG Records, Mike + the Mechanics’ ninth offering consists of new compositions and re-arranged versions of some of their familiar songs. This effort is Rutherford’s third with the ensemble that he formed in 2010, after a long hiatus: Anthony Drennan (guitars, bass), Tim Howar (vocals), Luke Juby (keyboards, backing vocals, bass, saxophone, whistler), Andrew Roachford (vocals, keyboards), and Gary Wallis (drums).

Out of the Blue opens with the slowly and smoothly inundating, Sophistipop buildup of the mid-tempo “One Way.” The calming and familiar mood flows flawlessly into the ensuing title track, albeit the slight shift in the tempo is noticeable.

The rhythm changes a bit further with the Dance Pop–styled “What Would You Do?,” whose jazzy and loungy melody prepares the listener to the following string of new versions of select songs from the band’s discography, starting with the Gospel-tinged “The Living Years.” After this classic from their second album, Mike + the Mechanics launch into a refreshing take of the title hit off album number-four, “A Beggar on a Beach of Gold.”

In the upbeat “Get Up,” Rutherford’s Progressive Rock lineage is really shining through, as the piano, guitar, and horn parts comprising the instrumental interlude make the song soar on its soulful wings; it will make the initiated think of Bruce Hornsby & the Range’s “The Way It Is.” The soothing mood continues with another goldmine, “Another Cup of Coffee.”

Now, the perfect mid-album stomper needs no further introduction—the iconic “All I Need Is a Miracle”—enough to send nostalgic shivers down the spine of any self-proclaimed ’80s kid. This is then followed by the night-driving charisma of “Silent Running,” taking the listener back to the somber soundtrack of the memory lane.

Nearing the end of their latest offering, Rutherford and his current mechanics tackle “Over My Shoulders”—yet another song from the band’s fourth oeuvre. Finally, they wrap up Out of the Blue aptly with the celebratory beat and rousing, stadium-worthy groove of the proto–Pastoral Pop of “Word of Mouth.”

Despite Rutherford’s having become the only remaining original member of the group, with his comrades he proves that he is more than able not only to preserve and still perform the past catalog of Mike + the Mechanics, but also to concoct new songs to add to the discography. Out of the Blue is an effective epitome of that—a mélange of the old and the new Mike + the Mechanics music. Cryptic Rock gives it 4 out of 5 stars.

mikemechanics 2019 - Mike + the Mechanics - Out of the Blue (Album Review)

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aLfie vera mella
aLfie vera mella
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Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature.In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music.As a means to further his passion for music, he formed the band haLf man haLf eLf. He now performs with another band, The Psychedelics.aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He began writing album reviews for CrypticRock in 2015.In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf? His next planned literary endeavor is to publish the remaining parts of the anthology and his works on Poetry, Fantasy Fiction, and Mythology.In his spare time, he enjoys reading books and listening to music. He participates at various community events; and he explores the diverse cultural beauty of Canada whenever his schedule permits it.aLfie is a doting and dedicated father to his now ten-year-old son, Evawwen.

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