Pet Shop Boys – Hotspot (Album Review)

Pet Shop Boys – Hotspot (Album Review)

In the archives of New Wave/Synthpop music, the English duo Pet Shop Boys remains to be among its stout and ubiquitous flag bearers that never failed every decade since their respective formation to release new music – alongside fellow prolific bands such as a-ha (Cast in Steel in 2015), Depeche Mode (Spirit in 2017), Duran Duran (Paper Gods in 2015), Echo & the Bunnymen (The Stars, the Oceans, and the Moon in 2018), Simple Minds (Walk between Worlds in 2018), and They Might Be Giants (The Escape Team in 2018). Now in early 2020, they are back with their fourteenth studio album Hotspot out on Friday, January 24th via x2 Records/Kobalt. 

Originally formed in 1981, in London, England, by Neil Tennant (vocals, synthesizers, guitar) and Chris Lowe (keyboards, synthesizers, backing vocals), Pet Shop Boys has an impressive discography from 1986’s Please to the aforementioned newest release, Hotspot. Produced by Stuart Price who also worked on 2013’s Electric and 2016’s Super, Hotspot opens with the filmic and ambient sound of “Will-o-the-Wisp,” whose familiar melodies will transcend the initiated to the suburban beginnings of Pet Shop Boys. A wave of calming oceans then plays next in the form of the R&B-flavored Synthpop ballad “You Are the One.” The ensuing, aptly titled “Happy People” undulates and then takes the listener to the dance floor of a neon-lit discotheque, where he will be transformed into a willing dancer.

Still in the same place where laser lights and mirror balls are kings and queens, Pet Shop Boys then treats its dancer to Hotspot‘s highlight–its lead single, “Dreamland,” which features Olly Alexander of the contemporary Electropop group Years & Years (who also co-wrote the song with Tennant and Lowe). And then there is “Hoping for a Miracle,” which displays once again Pet Shop Boys’ occasional penchant for soulful balladry, only to be followed by a similarly melodramatic yet more upbeat track, “I Don’t Wanna.”

Another trip down memory lane then comes next–“Monkey Business,” whose sonic aesthetics are reminiscent of Pet Shop Boys’ first albums, Please and Actually, coming to mind classics like “West End Girl,” “Opportunities (Let’s Make Lots of Money),” “Rent,” and “It’s a Sin.” After taking the now relaxed listener to their ’80s phase, Tennant and Lowe then pay homage to their brooding ’90s sound with the mellow midtempo “Only the Dark.”

Penultimately, “Burning the Heather” is a standout track and a treat especially for Britpop enthusiasts as it features distinctive acoustic-guitar jangles of Bernard Butler, the original guitarist of Suede (“Metal Mickey”). Tennant and Lowe then close Hotspot triumphantly with the celebratory mood of “Wedding in Berlin,” whose percussive beat and moving rhythm will remind again the listener that Pet Shop Boys is still masters of classy Electronic Dance Music.

The new decade is only in its nascent stage, and yet the unstoppable duo is already asserting their songwriting prowess and ability to connect to their followers. Hotspot is certainly a worthy addition to Pet Shop Boys’ ever-growing discography. That is why Cryptic Rock gives it 4 out of 5 stars.

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aLfie vera mella
aLfie vera mella
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Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. As a means to further his passion for music, he formed the band haLf man haLf eLf. He now performs with another band, The Psychedelics. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He began writing album reviews for CrypticRock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf? His next planned literary endeavor is to publish the remaining parts of the anthology and his works on Poetry, Fantasy Fiction, and Mythology. In his spare time, he enjoys reading books and listening to music. He participates at various community events; and he explores the diverse cultural beauty of Canada whenever his schedule permits it. aLfie is a doting and dedicated father to his now ten-year-old son, Evawwen.

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