Phoebe Bridgers – Copycat Killer (EP Review)

Phoebe Bridgers – Copycat Killer (EP Review)

Phoebe Bridgers has returned to show a more intricate side of herself with her new 4 song EP, Copycat Killer.

Released on Friday, November 20, 2020 via Dead Oceans, the surprising EP features reworked versions of some of her most sincere tracks from her 2020 sophomore album, Punisher. Briefly looking back for a moment, Bridgers stormed onto the scene in 2017. Since then she has made waves and worked with countless artists from Conor Oberst of Bright Eyes to her newest Collaborator and Arranger Rob Moore; who has working with tons of artists from Haim to Bon Iver, and Paul Simon.

The perfect addition to her growing discography, it starts with “Kyoto,” a single from Punisher. This time twisted with soaring orchestration, there are strings flying over hills and valleys that are almost cinematic with a dramatic flare. Ranging in different string styles from tremolos, or quick bowing, to tranquil phrasing, creating a beautiful story in its wake, Bridgers seems to pour even more of her heart into this version.

The following revisited track, “Savior Complex,” in comparison to its original version, seems to play to a different extreme; catering to more volume and bounding ebbs and flows of chaos. It contrasts between the ever delicate nature of belonging and dissonant disarray of inner denial. From here, Bridgers continues to push the boundaries of how her songs can be retooled and retranslated to the masses. This is the case with “Chinese Satellite” which claims similarity to its predecessor, yet stylistically is different The strumming on the upper and lower strings of the orchestral instruments are heavily clever and it suddenly spans into an ever evolving melodic dreamy melody. This back and forth of ideas intertwines the EP to her full-titled Punisher in an almost evolutionary way. Finally, “Punisher” closes the EP with vivid, intricate string detail. With glimmers of emotion, the instrumentation attached plays as like a picturesque teaser to the epoch that it pays tribute.

The title Copycat Killer and its origin is subtly noted in the lyrics of “Punisher” and it truly pays to a solid fact; this EP is a slight copy of its predecessor and these reimagined covers are killer pieces within themselves. That in mind, Phoebe Bridgers continues to innovate and grow as an artist. Creating more layers to peel off, she is revealing more of her true, vulnerable self with each piece of new music she puts out. That is why Cryptic Rock gives Copycat Killer 5 out of 5 Stars.

Like the in-depth, diverse coverage of Cryptic Rock? Help us in support to keep the magazine going strong for years to come with a small donation.
Avatar
Michele Johnson
[email protected]

Michele Johnson has been heavily into music since early birth when her father would play video tapes of music videos and she would dance along to them in her crib, and seeing Eric Clapton as her first concert at the age of 8 years old. Her love for music began to fully flourish when she began to take photos of bands in her sophomore year of high school and after her attendance to SUNY Oneonta, with a psychology degree in tow, it became a full passion. During her time at Oneonta, she played in various musical groups including A capella, took part in a club based on the music industry, and heavily developed her love for live music photography. She has gone on to promote her love for music by teaching music to students as young as 4 and as old as 74! Michele tries to go to as many concerts as she can, at most 5-6 times a month, for she needs her live music fix and her photography fix too! Its a high she cannot get off of.

No Comments

Post A Comment

Show Buttons
Hide Buttons