Saxon – Inspirations (Album Review)

Saxon – Inspirations (Album Review)

One of the pioneers of the New Wave of British Heavy Metal (Iron Maiden, Judas Priest, Motörhead, Venom), Saxon was formed in 1977, in Barnsley, South Yorkshire, England. Among the most prolific bands on the scene, they enjoyed chart successes especially in the 1980s, via its early albums that notably included 1980’s Wheels of Steel and Strong Arm of the Law, 1981’s Denim and Leather, and 1983’s Power & the Glory. Despite the emergence of various newer bands and sub-genres in the decades that followed, the English band went on recording music, releasing an average of five albums every decade. In fact, to date, Saxon boasts of a 22-album studio discography; and a new one is coming soon.

Slated for release on Friday, March 19, 2021, via Silver Lining/Militia Guard Music, Saxon’s 23rd, titled Inspirations, is a collection of renditions of songs by some of the band’s influences. Eleven tracks in total, it is a mix of songs that inspired, influenced, and are vital to what and who Saxon are. An interesting dive into their past, it opens effectively with the darker and more ominous version of “Paint It Black” by The Rolling Stones and then followed by an obvious and deserving track, Led Zeppelin’s “Immigrant Song.” A couple of unlikely but equally interesting choices come in the forms of The Beatles’ “Paperback Writer” and Toto’s “Hold the Line,” humbly revealing two of Frontman/Vocalist Biff Byford’s musical idols from the softer side of Rock music.

Some more inevitable classics that Inspirations features are Black Sabbath’s “Evil Woman,” the ’80s Heavy Metal throwback feel of The Jimi Hendrix Experience’s “Stone Free,” Motörhead’s “Bomber,” the breakneck groove and familiar howl of Deep Purple’s “Speed King,” and the almost unaltered take on AC/DC’s “Problem Child.” Finally, the heavy and hard-rockin’ new record ends with another surprise—a melodramatic execution of The Kinks’ “See My Friends”—a proper album closer—calm, serene, melodic, yet still metallic.

Inspirations proves that no amount of sonic climate change nor even a relentless pandemic could stop Byford and the rest of Saxon—Paul Quinn (guitars), Nibbs Carter (bass), Doug Scarratt (guitars), and Nigel Glockler (drums)—from ensuring that their musical legacy remains prolific and untarnished. Moreover, Saxon was able to stay as close as possible to the melodic traits of the selected tracks yet remain free in putting onto them the individual members’ respective touch. That is why Cryptic Rock gives Inspirations 4 out of 5 stars.

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aLfie vera mella
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Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. As a means to further his passion for music, he formed the band haLf man haLf eLf. He now performs with another band, The Psychedelics. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He began writing album reviews for CrypticRock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf? His next planned literary endeavor is to publish the remaining parts of the anthology and his works on Poetry, Fantasy Fiction, and Mythology. In his spare time, he enjoys reading books and listening to music. He participates at various community events; and he explores the diverse cultural beauty of Canada whenever his schedule permits it. aLfie is a doting and dedicated father to his now ten-year-old son, Evawwen.

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