Teenage Fanclub – Here (Album Review)

Teenage Fanclub – Here (Album Review)

teenage-fanclub

Formed in 1989, in Bellshill, Scotland, Teenage Fanclub currently consists of Norman Blake (vocals, guitar), Raymond McGinley (vocals, lead guitar), Gerard Love (vocals, bass), Francis MacDonald (drums), and Dave McGowan (keyboards). In its quarter-of-a-century activity, the beloved Scottish band has released ten studio albums, which collectively show the slow but sweet sonic shaping of Teenage Fanclub’s music – from the cacophonous, jam-feel, and Grunge-inspired debut, 1990’s A Catholic Education; on through the Indie Pop sensibilities of the critically acclaimed Bandwagonesque of 1991; to the lush and glossy styling of 1997’s Britpop-influenced Songs from Northern Britain; and finally to the newly released youthful musicality of Here.

Released on September 9, 2016 via Merge Records, Teenage Fanclub’s tenth album opens with the upbeat and straightforward sunshine Pop of “I’m In Love,” and then followed by “Thin Air” in the same predisposition. The ensuing acoustic-oriented “Hold On” slows down the mood. Then there is the ’60s Psychedelic Folk Pop/Rock sonic styling of “The Darkest Part of the Night,” which harks to the likes of The Byrds (“The Bells of Rhymney”), The Hollies (“Carrie Anne”), and The Turtles (“Happy Together”).

The graceful and soulful “I Have Nothing More to Say” is what may be regarded as Teenage Fanclub’s version of a starry-eyed, thin-glass-timbre ballad. “I Was Beautiful When I Was Alive” further sets the tone to an even subdued disposition, an apt mid-album slow pacer. Then, “The First Sight” treats the listener to a mélange of ’60s Sunshine Pop and ’90s Britpop, an aural excursion popularized in the mid-’90s by the likes of The Boo Radleys (“Find the Answer Within”), Dodgy (“Staying Out for the Summer”), and The Bluetones (“Slight Return”).

Then there is the simple-structured “Live in the Moment,” which returns the album to its part-folky, slightly electric tripping; while the ballad “Steady State,” with its dreamy vocals and plucked guitar line, is apt for an introspective listening. Enthusiasts of Twee/Indie Pop will definitely pick “It’s a Sign” as their favorite – what with its mildly distorted guitars and glass-celesta keyboard melodies. The penultimate “With You” takes the listener back again to the black-and-white dance floor of ’60s R&B era. Finally, Here closes with the guitar-and-piano dominated ballad “Connected with Life,” indeed a proper album closer.

The music of Teenage Fanclub has truly matured, as shown by the band’s confident use of a multicolored sonic palette. Yet, the tendency and penchant for cacophony may still be felt there and here, albeit in a more controlled manner. The Scottish band has really come a long way. After all, a legacy of twenty-five years and ten albums is something that should now be celebrated and congratulate the band for. Fans of Teenage Fanclub, unite and spread the love and the music! CrypticRock gives Here 5 out of 5 stars.

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aLfie vera mella
aLfie vera mella
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Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. As a means to further his passion for music, he formed the band haLf man haLf eLf. He now performs with another band, The Psychedelics. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He began writing album reviews for CrypticRock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf? His next planned literary endeavor is to publish the remaining parts of the anthology and his works on Poetry, Fantasy Fiction, and Mythology. In his spare time, he enjoys reading books and listening to music. He participates at various community events; and he explores the diverse cultural beauty of Canada whenever his schedule permits it. aLfie is a doting and dedicated father to his now ten-year-old son, Evawwen.

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