They Might Be Giants – Phone Power (Album Review)

They Might Be Giants – Phone Power (Album Review)

they-might-be-giants-promo-2015-650x400

Certainly one of the most enduring and prolific bands to come out of the U.S. Alternative Rock scene of the late ’80s, They Might Be Giants were able to survive various inevitable musical revolutions and change of scenes without sacrificing their brand of intelligent, thought-provoking, humorous, and quirky, yet very ear-friendly blend of Alternative Rock and Indie Pop, achieved largely in part to the acoustic Folk-oriented instruments that used to be a novelty in the genre, but which became, in the long run, as effective as their electric counterparts.

They Might Be Giants was formed in 1982, in Lincoln, Massachussets, by John Flansburgh (vocals, rhythm guitar) and John Linnell (vocals, accordion, saxophone, clarinet, keyboards). Usually backed up by session musicians, the duo are currently augmented by Marty Beller (drums), Dan Miller (lead guitar), and Danny Weinkauf (bass). In a career spanning three decades, They Might Be Giants released nineteen studio albums, from 1986’s self-titled debut to this year’s Phone Power, spawning memorable songs that included the subtly funky “Put Your Hand Inside the Puppet Head,” from the first album; the emphatically punchy “Ana Ng,” from 1988’s Lincoln; the lovely and adorable hit, beloved of New Wave enthusiasts, “Birdhouse in Your Soul,” from 1990’s Flood; the feel-good “I Should Be Allowed to Think,” from 1994’s John Henry; and the crunchy stomper “Judy Is Your Viet Nam” and the upbeat and jangly “Can’t Keep Johnny Down,” both from 2011’s Join Us.

Since the beginning, They Might Be Giants has already exhibited a penchant for short songs with intriguing titles and catchy melodies, each glazed with Pop sensibilities and Rock’s angularity and sung usually with a childlike, bratty vocal styling. This is the reason having crossed over to writing children’s music seemed a natural progression for the band. Needless to say, in the early 2000s, They Might Be Giants started dabbling in children-oriented music, starting with 2002’s No! and including their latest album. While the crossover is not really unique, for the Canadian Alternative Rock band Barenaked Ladies undertook a similar feat with their 2008 album, Snacktime! (“Pollywog in a Bog”), They Might Be Giants upped the notch by releasing not only one, but a series of such albums.

Released on March 9, 2016, They Might Be Giants’ latest and nineteenth oeuvre, Phone Power, is another children-themed album. It is the completion of the trilogy dubbed as Dial-a-Song project, which began with 2013’s Glean and followed by 2015’s Why? Generously consisting of eighteen tracks – a number not unusual for the majority of They Might Be Giants albums – Phone Power begins with the thought-provoking “Apophenia,” which will most likely tempt the listener to log on immediately on the Internet to check what the heck apophenia means. What follows is a slew of equally groovy and infectious songs, the standouts among which are “I Love You for Psychological Reasons,” “I Am Alone,” “ECNALUBMA” (another wordplay), and “It Said Something.”

However, the album has also its light and laidback moments, in the guise of the structural ballads “Trouble Awful Devil Evil,” “Daylight,” and “Impossibly New;” as well as Rock stompers like “Bills, Bills, Bills” and “Black Ops.” In some of the songs, the initiated might hear sonic references to certain other bands – such as “To a Forest,” which resonates a slowed-down “Here Comes a City” by The Go-Betweens. Other welcome aberrations include the bass-heavy Funk of “I’ll Be Haunting You,” the James Bond movie-worthy “Got Getting Up So Down,” and the horn-adorned sunshine Pop “Shape Shifter.” Finally, Phone Power closes with the deliberately childish, Alternative Country-flavored “I Wasn’t Listening,” which harks to similar excursions of Violent Femmes (“Mirror Mirror [I See a Damsel]”).

Overall, They Might Be Giants’ music remains fresh and familiar at the same time. While it definitely displays seriousness in song treatments and choice of subjects to sing about, it never shies away from the lyrically playful and sonically eclectic style that they have been long known for. They Might Be Giants certainly belongs to the league of similarly pesky yet adorably juvenile pioneering Post-Punk pranksters such as Madness (“Baggy Trousers”), Fun Boy Three (“The Farmyard Connection”), The Dead Milkmen (“If You Love Someone, Set Them on Fire”), and Half Man Half Biscuit (“All I Want for Christmas Is a Dukla Prague Away Kit”). CrypticRock gives Phone Power 4 out of 5 stars.

201638-they-might-be-giants-640x640

Like the in-depth, diverse coverage of Cryptic Rock? Help us in support to keep the magazine going strong for years to come with a small donation.
aLfie vera mella
[email protected]

Born in 1971, in Metro Manila, Philippines, aLfie vera mella is a healthcare worker, singer/songwriter, and editor/writer. He was the frontman of the ’90s-peaking Philippine Alternative Rock / New Wave band Half Life Half Death, which released a full-length album and several singles on Viva Records. aLfie worked at Diwa Scholastic Press as an editor/writer of academic textbooks and supplementary magazines, focusing on Science & Technology and English Grammar & Literature. In 2003, aLfie migrated to Canada; he has since been living in Winnipeg, Manitoba. He works full-time at a healthcare institution, while serving as the associate contributing editor of Filipino Journal—a local community newspaper in Winnipeg—tackling Literature, Languages, Cultures, Lifestyles, and Music. As a means to further his passion for music, he formed the band haLf man haLf eLf. He now performs with another band, The Psychedelics. aLfie has been a music journalist since the mid-’90s for various print magazines as well as websites. He began writing album reviews for CrypticRock in 2015. In 2016, aLfie published Part One (Literature & Languages and Their Cultural Significance) of his Essay Series, Can You Hear the Sound of a Falling Leaf? His next planned literary endeavor is to publish the remaining parts of the anthology and his works on Poetry, Fantasy Fiction, and Mythology. In his spare time, he enjoys reading books and listening to music. He participates at various community events; and he explores the diverse cultural beauty of Canada whenever his schedule permits it. aLfie is a doting and dedicated father to his now ten-year-old son, Evawwen.

No Comments

Post A Comment

Show Buttons
Hide Buttons