
A 13-song collection released on September 24, 2021, via Big Machine/John Varvatos Records, the title of the record is quite fitting, because well, it sure does feel like the end of the world is near. On a less morbid note, Badflower takes such a dark subject matter down a sarcastic path, which is sometimes amusing, but almost always compelling. You see, Leading Voice/Lyricist/Rhythm Guitarist Josh Katz is quite candid about his own self-doubt and inequalities.
Some might say, “Great, another Emo band, nothing new to hear.” Well, hold on a minute, because Katz’s lyrical approach is not whiny nor contrived. In a time where we are overloaded with opinions, emotions, and straight-out devised content thanks to the internet, and more particularly social media, somehow Katz manages to strike a nerve. Perhaps it is because his words are something we can all relate to in some way or another. After all, deep down, we are all insecure. Yes, it is true, we all doubt ourselves, but some of us are better at putting up a façade by deflecting our feelings onto others or finding something else to blame. Katz does none of this; instead, he faces his thoughts, and we are invited inside his mind as he sorts everything out.
A prime example of such unfiltered thought is heard throughout the album, whether it be songs like “Family,” “She Knows,” or “Don’t Hate Me.” Each thoughtful and tragic tune is offset by more tongue-in-cheek ones as heard on “Fukboi,” “Stalker,” or “Sasshole.”
However, some of the boldest, unapologetic feelings of the entire album are heard on “Everyone’s An Asshole,” “Machine Gun,” and “My Funeral.” And with that said, the aforementioned trio of tracks could be some of the best Alternative Rock we have heard in a long time. First, “Everyone’s An Asshole” takes the self-righteous, unforgiving attitude of modern society head-on and crushes it with a clever, witty, and honest assessment. Then there is “Machine Gun,” a powerfully intelligent statement about the world and the hypocrisy that surrounds us all. Truthfully, it will spark something even in the most apathetic of souls, which leads us to the finale, “My Funeral,” where we are given a light-hearted rhythm, heavy context, and a killer payoff at the end that will make us all rethink things.
All in all, Badflower delivers an album that needs to be heard. Yes, Katz’s lyrics are pretty darn good, but let us not forget the overall collective sound of Lead Guitarist Joey Morrow, Bassist Alex Espiritu, and Drummer Anthony Sonetti. Together they create something musically that is not over-produced, not loud for the sake of being loud, and extremely well-composed. So, if you are looking to find some inspiration in a world that is certainly lacking it, do not overlook this album, it might just be the cathartic release you are looking for. That is why Cryptic Rock gives This Is How The World Ends 5 out of 5 stars.





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